Percussion Plus World Slap Djembe secondary multipack - rope tuned

Introducing the Percussion Plus World Slap Djembe rope tuned education packs
The new generation of Percussion Plus' mega-popular Slap Djembes is here! Manufactured in the world's premier Djembe factory in Bali, these fantastic educational drums are more durable, resonant and vibrant than ever. With their instructive drumheads, robust construction and range of sizes these Slap Djembe packs make for an easy and highly convenient addition to any music education setting. This pack, featuring the larger djembes within the range, is great for groups of older students looking to practice playing together and better their djembe skills, with the brilliant Andy Gleadhill's Slap Djembe book thrown in too!
Designed to stand the test of time in classroom environments, the strong yet lightweight design amplifies their accessibility without compromising on sound; the booming bass acts as a foundation, with crisp slaps and deep resonant tones providing the exciting variety that makes these djembes ideal for group music lessons, especially in secondary schools. These particular sets also encourages students to learn about the intricate and fascinating rope tuning process!

Immaculate construction in leading Bali factory
These World Slap Djembes are now made in a superb world-leading djembe manufacturing facility in Bali. Each drum is subject to rigorous quality control and features a sophisticated one-piece body construction. This ensures a lively and consistent sound, a sleek profile, and enhanced durability. The lightweight, sturdy construction is an essential benefit for constant use in education. Plus, the rubber-coated base prevents slipping, crucial for the physical demands of playing.

An innovative teaching tool
Slap Djembes are not only sturdy and attractive but also provide great teaching aids. The screen-printed, instructional drumheads make classroom music teaching that bit easier by showing students exactly where they need to hit the drum to make different sounds. This helps to speed up the learning process, allowing more time to focus on rhythm, ensemble, dynamics and other musical elements.

Comes with Andy Gleadhill's Slap Djembe book
Whether you are a percussion expert or have never taught music before, Andy Gleadhill's Slap Djembe is the best introduction to playing and teaching the djembe, and it comes included with all our Slap Djembe packs! Utilising an innovative, accessible notation this award-winning resource features 12 rhythms from around the globe with insightful performance notes and 10 weekly lessons that can be applied to any tune in the book. That's 120 lessons, planned for you!
What's more, a raft of additional content is available to purchase alongside the book, including video guides, audio samples and interactive whiteboard-compatible resources, designed specifically for the classroom.

Durable Mylar drum head
The Mylar drum head is precisely tensioned for optimal resonance, offering exceptional durability for even the most energetic players. Mylar is an extremely robust material, often used in aerospace engineering; for drum heads it provides excellent all-weather protection, resisting excessive stretching, humidity, and temperature fluctuations. This helps prevent tuning issues and keeps the head from drying out over time, ensuring a consistent and true sound. Superb production values like this make the World Slap Djembes the pinnacle in educational and sustainable drumming, supporting hundreds of lessons over many years to come.
Striking, multicultural design
The 'World' design embodies the inclusive spirit of djembe drumming and of Percussion Plus' ethos. Inspired by Andy Gleadhill's Slap Djembe, the map-style sarong-wrapped shell immerses students in a multicultural learning experience. It's visually striking too, with many flags providing great colourful diversity atop a deep blue oceanic background that looks great in any lighting.

A djembe for every scenario
These djembe packs are available either pre-tuned (incredibly lightweight and convenient) or rope tuned (more adaptable and traditional), allowing you to select the right type of drum for your circumstances. Better still, they come in a variety of sizes. 6", 7", 8", 10" and 12".
This size selection has the extra benefit of adding variety to the soundscape of your Djembe circle, producing an extensive mix of pitches and dynamics to engage the entire ensemble, and ensuring that there's a suitable option for players of all sizes too!

What's in the rope tuned packs?
12 player pack:
6 x 10" djembe
6 x 12" djembe
1 x Andy Gleadhill's Slap Djembe book

16 player pack:
2 x 8" djembe
7 x 10" djembe
7 x 12" djembe
1 x Andy Gleadhill's Slap Djembe book

How to play the Slap Djembe
The design on the drumhead shows examples of hand positions that can be employed to obtain a fabulous variety of tones from the drum, from punchy bass to cracking highs. When you hit the skin, let your hand bounce back allowing the sound to ring.

The Bass
The area in the centre of the drum produces a warm and full bass tone. To play a good bass, the djembe must be struck in the middle of the drumhead with the hand slightly cupped, palm down, and returning quickly from the drum. Use your whole arm and pretend that you are bouncing a basketball; this will result in the perfect action for playing good bass tones!

The Tone
Straighten all your fingers at the same time. Aim to strike the drum so that the joint where your fingers meet your hand (at the first knuckle) is at the rim of the drum. Think of your hand as an extension of your arm and remember not to keep it on the drum, but to let it bounce back from the drumhead as soon as you've played the note. This will produce a clear, ringing 'tone', with good projection.

The Slap
This is played around the edge of the drum. Relax your hand and arm and hit the drum with a slapping motion. Spread your fingers out slightly when you strike the edge of the drum for a whipping crack sound. For an even more distinctive and muted slap, hold one hand down in the middle of the drum in the bass position, while simultaneously playing the slap tone on the edge of the drum.